THE PHOTOBOOK AS PULP FICTION, TANIA FRANCO KLEIN’S “POSITIVE DISINTEGRATION” Sep 10 Written by Robert Dunn Robert Dunn Previous Previous COLOR FILM CHANGES EVERYTHING: FUN TIMES IN THE SOVIET UNION, BORIS MIKHAILOV’S “SUZI ET CETERA (PART 2)” Next Next PHOTOS TO BOOKS TO ART OBJECTS, LAURA EL-TANTAWY’S “A STAR IN THE SEA” PART 2
THE PHOTOBOOK AS PULP FICTION, TANIA FRANCO KLEIN’S “POSITIVE DISINTEGRATION” Sep 10 Written by Robert Dunn Robert Dunn
