THE PHOTOBOOK AS PULP FICTION, TANIA FRANCO KLEIN’S “POSITIVE DISINTEGRATION”

Written By Robert Dunn
Robert Dunn
Previous

COLOR FILM CHANGES EVERYTHING: FUN TIMES IN THE SOVIET UNION, BORIS MIKHAILOV’S “SUZI ET CETERA (PART 2)”
Next

PHOTOS TO BOOKS TO ART OBJECTS, LAURA EL-TANTAWY’S “A STAR IN THE SEA” PART 2